The former object of a Time cover story in became the object of a withering ad hominem backlash. Hotel Room, a feature-length collection of vignettes all set in one certain room of an NYC railroad hotel, a hoary mainstream conceit ripped off from Neil Simon and sufficiently Lynchianized in Hotel Room to be then subsequently ripoffablc from Lynch by Tarantino et posse in 's Four Rooms Tarantino has made as much of a career out of ripping off Lynch as he has out of converting French New Wave film into commercially palatable U. They start getting incredibly disturbing videotapes in the mail that are of them sleeping or of Bill Pullman's face looking at the camera with a grotesquely horrified expression, etc. During the crew's frantic activity-all of it punctuated with loud bullhorn commands from Cameron-the technicians from the camera truck and the stand-ins from the cars take their own turns standing around and talking on cellulars and rooting through the baskets of corporate snacks on the snack table looking for stuff they like. What movie people on location sets call the trailer that houses the bathrooms: The experience could easily have turned Lynch into an embittered hack, doing effects-intensive gorefests for commercial studios. An October Films release. Sobs could be heard breaking out in pockets as people received news of friends and loved ones on their phones. It was on the strength of Eraserhead that Mel Brooks's production company allowed Lynch to direct The Elephant Man in , and that movie earned Lynch an Oscar nomination and was in turn the reason that no less an ur-Hollywood Process figure than Dino De Laurentiis picked Lynch to make the film adaptation of Frank Herbert's Dune, offering Lynch not only big money but a development deal for future projects with De Laurentiis's production company. If the word sick seems excessive, substitute the word creepy.
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