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    Baudelaire was one of the first French writers to admire Edgar Allan Poe, but this admiration or even adulation of Poe became widespread in French literary circles in the late 19th century. Hoffmann , [6] Christian Heinrich Spiess , and Ludwig Tieck — though their emphasis on existential alienation, the demonic in sex, and the uncanny, [7] was offset at the same time by the more homely cult of Biedermeier.

  2. [RANDKEYWORD
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    Hoffmann , [6] Christian Heinrich Spiess , and Ludwig Tieck — though their emphasis on existential alienation, the demonic in sex, and the uncanny, [7] was offset at the same time by the more homely cult of Biedermeier. Definitions[ edit ] Romanticism's celebration of euphoria and sublimity has always been dogged by an equally intense fascination with melancholia, insanity, crime and shady atmosphere; with the options of ghosts and ghouls, the grotesque, and the irrational.

  3. [RANDKEYWORD
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    Fallen man's inability fully to comprehend haunting reminders of another, supernatural realm that yet seemed not to exist, the constant perplexity of inexplicable and vastly metaphysical phenomena, a propensity for seemingly perverse or evil moral choices that had no firm or fixed measure or rule, and a sense of nameless guilt combined with a suspicion the external world was a delusive projection of the mind—these were major elements in the vision of man the Dark Romantics opposed to the mainstream of Romantic thought.

  4. [RANDKEYWORD
    Mooguktilar

    Fallen man's inability fully to comprehend haunting reminders of another, supernatural realm that yet seemed not to exist, the constant perplexity of inexplicable and vastly metaphysical phenomena, a propensity for seemingly perverse or evil moral choices that had no firm or fixed measure or rule, and a sense of nameless guilt combined with a suspicion the external world was a delusive projection of the mind—these were major elements in the vision of man the Dark Romantics opposed to the mainstream of Romantic thought. Hoffmann , [6] Christian Heinrich Spiess , and Ludwig Tieck — though their emphasis on existential alienation, the demonic in sex, and the uncanny, [7] was offset at the same time by the more homely cult of Biedermeier.

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